Karen Waltermire

landscape

New Abstract Expressionism Painting

This handcrafted oil painting on canvas is one of seven paintings on display through April 30 in the Van Landingham Gallery.  The title is “Washington Monument”, the size is 6″ x 8″, and the price is $250.00.  I worked from stock photography (photos that are royalty free) to get cherry blossoms and changed colors and moved stuff around.  When I started painting this series, I decided to break the composition into pieces and for this size it worked well.  I painted it in pieces of color and put warm and cool temperatures next to each other for depth and contrast.

Explore all seven paintings that are on display this month and find the perfect artwork to enrich your home.

Van Landingham Gallery
located inside The Torpedo Factory
105 Union Street – 3rd floor
Alexandria, VA

The gallery is open daily from 10am to 6pm.

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Always Believe in Yourself

I love creating faces and compositions in a style I loosely call abstract cubism – not fully abstract and not fully cubist but a combination of the two.  When I create faces, I am creating my own little world of people and I love getting lost in it.  How do I want to align all parts of the face?  Do I want to leave off any parts of the face?  I recently started paintings florals and landscapes again after many years of not doing it.  The challenge – and it is fun – is to paint a landscape or floral in my style while maintaining an interesting composition for the viewer.

I don’t have, and will never have, a BFA and an MFA in painting but have been studying for over 20 years.  I won’t be a full time painter until I retire because I work full time to support myself.  I love painting at home because I am surrounded by my work all the time and I like have my paintings close by when I am trying to figure out a problem with composition or color.  I don’t think my constraints make me less of an artist – they make me more devoted to painting my vision.  I have always been fascinated by business.  Running my art business and learning all that I need to in order to be successful is very satisfying.  It is exciting to be a one woman operation and I refuse to give it up.

So, I always remind myself to keep creating, keep growing, keep studying other artists, and keep learning from them.  Most of all, I remind myself to never lose hope in me and what I can do.

 

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DC scenes for April 2024 show in Van Landingham Gallery

In April (the first through the 30th), I will have seven small paintings (6″ x 8″) in a show at the Van Landingham Gallery called “Cherry Blossom Dreams.”  The gallery is loctated inside the Torpedo Factory on the 3rd floor.


Address:  105 Union Street, Alexandria, VA 22314
Open daily from 10am to 6pm

 

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New Landscape Paintings – how I did it and what products I used

 

Three new paintings – 6″x 8″ each ($250 per painting) – of DC monuments and cherry blossoms.  I really began to enjoy landscape painting when I discovered I could do it in my abstract style.  I love working in this size because it is small and feels so intimate and I move the oil paint around in a slower pace.

I started by finding some stock photography (non-copyrighted images) of DC monuments and I did change the compositions of each to create my paintings.  I deleted some parts of the photos that were not interesting to me and changed most of the colors because I wanted to use colors that are bright and more varied (government buildings are a bit drab in color).  On the first round, I drew my composition (in paint) and blocked out colors.  After they dried for a few days (oil paint dries in a few days with medium), I  deepened the blue skies, added shades of pink to the cherry blossoms, and checked my color balance over the entire painting.  On the second round, I spent less time on composition and more time on color.  I thought about what direction the sky was moving and painted that, I thought about the buildings in relation to the sky and painted that.  My style is abstract and in these paintings, I borrowed from cubism (large blocks of color and not a lot of detail) and added whimsy/playfulness/adventure to illustrate the optimism I feel about my work.

I paint with Sable brushes (from Blick–masterstroke finest red sable) because they glide softly and effortlessly over the canvas.  They are soft to the touch and I like that, too, even though it might not make a huge difference in my paintings.  The medium I have used for years is Winsor & Newton Liquin Original because it helps the paint dry faster (extra important with slow drying colors like black).  I also like the bit of shine it adds.  As for oil paint, the same color in different brands can look different, so I use several brands (Blick, Rembrandt, Holbein, and Sennelier).

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